Kelley Library

The Irishman, Netflix presents ; directed by Martin Scorsese ; screenplay by Steven Zaillian ; produced by Martin Scorsese, Robert De Niro ; produced by Jane Rosenthal, Emma Tillinger Koskoff ; produced by Irwin Winkler ; produced by Gerald Chamales ; produced by Gaston Pavlovich ; produced by Randall Emmett, Gabriele Israilovici ; Tribeca Productions ; Sikelia Productions ; a Winkler Films production ; a Martin Scorese picture

Type
Label
The Irishman, Netflix presents ; directed by Martin Scorsese ; screenplay by Steven Zaillian ; produced by Martin Scorsese, Robert De Niro ; produced by Jane Rosenthal, Emma Tillinger Koskoff ; produced by Irwin Winkler ; produced by Gerald Chamales ; produced by Gaston Pavlovich ; produced by Randall Emmett, Gabriele Israilovici ; Tribeca Productions ; Sikelia Productions ; a Winkler Films production ; a Martin Scorese picture
Language
eng
Characteristic
videorecording
Intended audience
MPAA rating: R; for pervasive language and strong violence
Main title
The Irishman
Responsibility statement
Netflix presents ; directed by Martin Scorsese ; screenplay by Steven Zaillian ; produced by Martin Scorsese, Robert De Niro ; produced by Jane Rosenthal, Emma Tillinger Koskoff ; produced by Irwin Winkler ; produced by Gerald Chamales ; produced by Gaston Pavlovich ; produced by Randall Emmett, Gabriele Israilovici ; Tribeca Productions ; Sikelia Productions ; a Winkler Films production ; a Martin Scorese picture
Runtime
209
Series statement
Criterion collection, 1058
Summary
An epic saga of organized crime in post-war America told through the eyes of World War II veteran Frank Sheeran, a hustler and hitman who worked alongside some of the most notorious figures of the twentieth century. Left behind by the world, former hit man and union truck driver Frank Sheeran looks back from a nursing home on his life's journey through the ranks of organized crime: from his involvement with Philadelphia mob boss Russell Bufalino to his association with Teamsters union head Jimmy Hoffa to the rift that forced him to choose between the two
Target audience
adult
Technique
live action
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Irish manI heard you paint housesIrishman, I heard you paint houses
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Is Part Of
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